On 31 July 2013, the Nationalist political party Maharashtra Navnirman Sena's film wing threatened to disrupt the film's premiere; it reportedly attempted to dislodge ongoing popular Marathi movies from cinemas that show only one film at a time. The party was upset with reports that the distributors of Chennai Express had demanded prime slots in single-screen cinemas, and at some multiplexes, where the superhit Marathi film Duniyadari (2013) had been popular since 19 July. On 1 August 2013, both the film directors, Rohit Shetty and Sanjay Jadhav were called on by Raj Thackeray to find a solution. After listening to both parties, Thackeray ruled that if Duniyadari was not removed from single-screen cinemas across the state, then the MNS would not object to the release of Chennai Express in Maharashtra.[88] Chennai Express was released in 10 languages.[89]
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Shubhra Gupta of The Indian Express gave the movie 2.5 out of 5 stars, and wrote that the film comes up with some genuinely funny moments. She commended Padukone's looks, although she criticized aspects of her stagecraft skills.[99] Sukanya Verma of Rediff.com gave the film 2.5 stars, saying, "Chennai Express evokes a few laughs but otherwise it decides to shift tracks from droll comedy to dreadful drama."[100] Khalid Mohamed of Deccan Chronicle gave the film 2.5 stars and wrote, "board Chennai Express at your own risk".[101] Rajeev Masand of CNN-IBN gave the film 2/5 rating and said the film was a "big, fat" bore. He commented that Chennai Express was a "bloated vanity project", and felt that the lead actor could have performed better.[102] Anupama Chopra gave the film 2 out of 5 stars and said, "Chennai Express plays neither to Rohit's strengths nor to Shah Rukh's. It's a strangely sloppy mishmash of cheesy humour, half-hearted romance, half-baked emotion and head-banging action. The film is filled with gigantic men whose size functions as a punch line."[103] Mayank Shekhar of Dainik Bhaskar rated it 1 star out of 5, saying, "You've paid for the ticket? Yes. Now just sit back and suffer."[104] Raja Sen of Rediff gave the film 1 out of 5 stars and said, "Shah Rukh Khan yelps and squeaks and shrieks and bares fangs and pouts and, well, exhausts himself overcompensating at every step, despite nobody else in the film following this template."[105]
Rachel Saltz of The New York Times wrote, "'Chennai Express' feels like a sumptuous meal with carefully chosen wine and tasty appetizers but a botched main course. Money and visual care have been lavished on this Bollywood action-comedy-romance and glossy stars engaged (Shah Rukh Khan and Deepika Padukone). But the movie chugs along for most of its 2 hours and 20 minutes searching for comedy and characters in a frantically overplotted story."[106] Sneha May Francis of Emirates 24/7 wrote, "Rohit Shetty's s(h)tyle of romance relies heavily on buffoonery and will be applauded mainly by Shah Rukh Khan loyalists". She added, "Rohit's carnival-like comedy coaxes some laughs, but can leave you exhausted." Sneha said that Padukone's performance "outshines" that of Khan.[107] Ronnie Scheib of Variety wrote, "Shah Rukh Khan and Deepika Padukone are ill matched in this overworked comedy/romance/actioner ... Shetty's need to maintain his characters' romantic heroism constantly grates against his depictions of their ridiculousness."[50] Simon Foster of the Special Broadcasting Service gave the film 2 stars out of 5 and described it as "a loud, lame-brained romantic comedy from the (very) broad directorial brush of Rohit Shetty, SRK's over-hyped vehicle sees the charismatic but ageing actor badly miscast and easily overshadowed by his leading lady, Deepika Padukone."[108]
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Padukone got top billing in the movie due to Khan ceding it as a personal statement unrelated to this particular project. She deserved it regardless. "Chennai Express" very quietly becomes her movie, before we even realize it's happening. The story begins with sheltered Mumbai sweet seller Rahul (Khan) agreeing to transport half of his grandfather's ashes to Rameshwaram, near the southernmost point of India (about as far away from Mumbai as one can get without leaving the country, in other words). After a series of comic mishaps, Rahul ends up trapped with a beautiful young Tamil lady named Meena (Padukone) and several large, unfriendly men in the employ of her powerful father, sent by him to bring her back home to marry a hulking brute. The twist here is that rather than Rahul discovering an inner heroism and saving the imperiled damsel from the fates that beset her, Meena spends the rest of the film bailing him out of mortal danger.
However, if Khan can be relied on for any one thing, it's to deliver a Movie Star Moment when a film needs it most. He does that as dependably as any star in world cinema, and his skills are on display here as well. The way in which he delivers the goods at the end of "Chennai Express" is fascinating. It plays up the artificiality of movie star heroism and even undercuts traditionally codified masculinity and patriarchy, all while being, to all appearances, the very model of old fashioned cinematic and social values. And yet by the end of "Chennai Express," Shetty, Padukone, and Khan are all very clear that they regard Rahul and Meena as equals.
With a huge fan base in India, the actor is arguably thebest-known film celebrity on the planet. In person he has few ofthe airs and graces that are associated with his Hollywoodcounterparts and in-keeping with his mild manner, he has a rathertraditional way of dealing with the pressure of a big movie comingout. 2ff7e9595c
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